Redemption (lost-&-found home recording #9)

Continued from beautiful question (lost-&-found home recording #8)

1. X-beat-original
2. X-beat-edit
3. X
4. X
5. harmony hollywood-1/standard/boss pn 2 tremolo/direct
6. harmony hollywood-1/standard/eh mel 9-cello/direct
7. harmony hollywood-1/standard/dry/direct-from mel 9
8. harmony hollywood-1/standard/eh mel 9-cello/direct
9. wurlitzer electric piano-tremolo/shure sm57/grace-rootless chords
10. harmony hollywood shootout-standard/harmony 420 amp/shure sm57/grace-double
11. harmony hollywood shootout-standard/harmony 420 amp/shure sm57/grace
12. danelectro-a/mf drive/harmony 420 amp/shure sm57/grace-double
13. danelectro-a/mf drive/harmony 420 amp/shure sm57/grace
14. fender rhodes piano bass/direct-roots
15. wurlitzer electric piano-tremolo/shure sm57/grace-line-2
16. wurlitzer electric piano/shure sm57/grace-intro, break & outro line
17. marching drum-wool 2/akg c3000/grace
18. marching drum-wool 2/akg c3000/grace-double
19. snare/rubber ball mallet/shure sm57/grace
20. wood tambo-2/metal slappers/ev re510/grace
21. vocal-main/rode nt1a/grace
22. vocal-harmony/rode nt1a/grace
23. X
24. X

The Harmony Hollywood-1 is a single-pickup hollowbody I toured with for years, then retired when I found another Hollywood that I now call "Junior." 

I’m playing it through an electro-harmonix Mel 9 pedal to ape a cello.  

The other Harmony Hollywood Shootout is a two-pickup version that I later bartered for a concentration supplement. 

The low grit is a Danelecrto baritone tuned a-to-a through a Moog Minifooger pedal.

The Harmony 420 amp has moved on without me.

. . . said slapper . . .

No. 

Redemption lives in the moments dreamt & refined, moving forward by dropping & rolling back into the flames, regretting what you've kept (as-of-yet) unrecovered, still inside, warned & awarded, written unclearly, addressed-to-disgrace. 

Intentions, invented & exposed as the slow-passing cues from the wild, were lost in the procession. 

Forces had intended to go unreplied. 

But, out of disorder, you did who you had to defending your claim, knowing they'd accept (what had been) the last thing on your mind.

Redemption, along with some other lost-&-found home recordings titles, was pulled from a list of words I compiled over the years called No, a running registry of concepts that, when the mood hit me, I sometimes threatened to cut out of an imaginary dictionary.

Redemption (lost-&-found home recording #9):